So Bieber did a Steampunk Video. Get Over It.

Okay.  I've been seeing a lot of crap going around about Justin Bieber's Steampunk Christmas Video, and peripherally, because Macy's in New York decided to do a steampunk Christmas display. 

Shot from Justin Bieber's "Santa Claus Is Coming to Town" video

Part of the Macy's Christmas window in New York

Get over it, people.  Bieber can do whatever he wants.  He hasn't murdered steampunk.  In the Gawker site's snide blurb, Justin Bieber Ruins Entire Nerd Subculture With New Christmas Video, they conclude: "Sorry, steampunks: time to get a new quirky aesthetic pastime before it blows up among 14-year-old Beliebers."  Um.  No.  Well, actually, if Bieber's involvement is enough to chase you away ... fine.  Go.  Please.  If you're afraid some teeny-boppers may get involved ... then I guess your steampunk time is done.  Leave now.  If you just participate in steampunk because you want to feel like you're part of some private little clique, and you think you'll wither and burn because "your" subculture is given some mainstream limelight, then please, go find some other reclusive little subculture to hide in, where you can feel all special and unique until it hits the mainstream. 

However, if you're really into steampunk, well, you'll still be into Steampunk despite Bieber.  Or Macy's.  You're into steampunk because at least some portion of it appeals to you (and it doesn't matter what part).  Steampunk entering the mainstream shouldn't scare you off.  New people getting involved in steampunk, even just temporarily, as a fad, is not the death knell, people.  If it's just as a fad, they'll leave.  If they take to it, well, we've got more people!  How is either option bad? 

Personally, I don't care that Bieber was either intrigued enough, or savvy enough, to do a steampunk video.  He's in business to succeed.  (And the boy's pretty darn popular, so maybe now I won't have to try explain steampunk to so many people, since he just threw it into the limelight.)  And you don't have to like the lad, or what he does.  But he hasn't killed steampunk.  I'm not a Bieber fan, by any stretch of the imagination, but his video is entertaining, except for the very distracting sporadic cartoon clips that don't fit at all.  The dancing is excellent, the costumes are good, and I love the windup dancer.  The set is pretty nifty - and how can you not steampunk Santa's workshop?  And kudos to Ian Finch-Field of SkinzNHydez for having his armpiece used on the video, because of his quality work. (And I daren't get into what I think of the jealous whiners who kvetched on about the artist "selling out", as it will cause my language to decline radically!)  So the music is a pop version of a Christmas tune ... why is that bad, but hardcore industrial music is "approved of" by some unknown entity, for steampunk?  So far, no one has managed to reasonably define steampunk MUSIC. 

I don't know why so many steampunks are freaking out about this, and seeing the apocalypse in Bieber doing steampunk and the potential movement into mainstream.  Though I do suspect it's the same small noisy population you find in all walks of life, that snobbish percentage that has to feel they're unique, because they're part of a unique community who all does the same thing ... really?  Think about that for a minute.  

I see way too much snobbery in steampunk these days, and it's ticking me off.  I've heard steampunks disapprove of how people dress (see previous post), I've even seen steampunks ignore folks because they don't fit their image of steampunk people (NO, you don't have to be young or pretty or slim or some obscure definition of "cool" to be steampunk).

If you're unique, you're unique.  I'm not unique because of who I hang out with, or how I dress, or because like making things, or because I'm into steampunk.  I just am.  The steampunk is just a symptom of how it's all coming out.  If other people are getting twigged into the stuff I'm into ... AWESOME!  More people to play with.  How is this bad?

So come on people.  Really.  Get over Bieber being steampunk.  Get over Macy's Christmas display being steampunk (man I wish I could see that in person instead of just seeing pictures here!)  Or, just get out.  And leave steampunk to those of us who really enjoy it.

Thank you.

On Unexpectedly Becoming a Steampunk Group

Settle in, good folks, have a cup of tea and a sweet.  This will be lengthier than usual.

In the general scheme of things, I am relatively new to steampunk - discovered it several years ago, but was only able to become actively involved just over two years ago, due to a variety of conspiring circumstances.  I started costuming in March of 2009, and attended my my first local event (a craft meet!) in late April 2009.  I was an immediate keener and have become increasingly avid about it.  Imagine, then, my dismay, when local events trickled to a complete halt.  Another group started up, holding sporadic events, but they seemed largely private, and included a High Tea or two (a lovely steampunk idea, but not for me, alas, as I dislike tea and I'm celiac - can't eat anything with wheat - so there's not a lot of reason for me to pay for a high tea).  I attended one or two events, however, when I could, but even those events trickled off.  However, I had the impression there were still folks wanting more.  And personally, I was frantic to have another craft meet-up, like my first ever event. 

And I was brought up under the concept that, if someone else isn't doing something you want, you do it yourself.

So, despite my hesitation to get that actively involved (I've been involved in various fandom groups over the years, and learned the lessons of small politicking etcetera that has made me gun-shy every since), I realized, I had only two options.  Hold the kind of event I wanted, or do without.  

So, I organized my first event ever.  With the help of a local shop who offered us their workroom (thank you Plush!), I organized a Steampunk Craft Meet in July this year ... approximately 14 months after the one that was my introduction to the steampunk events.  I posted it online, on the two local Facebook groups (one of which hadn't been active in several months, but still had members) in the hopes folks would attend.

I was hooked, and it seemed a success (those who came had a blast), so I scheduled another one to occur about 2 months later, and used photos of the stuff made at the meet as my event image.

Due to a local community split and polarity, I also decided to create a Facebook group, with the mind that it would be a bridge between the personal divides in the small community, and function as an old-school bulletin board, on which upcoming events that would appeal to anyone interested in steampunk could be posted (like Vancouver's Mini Maker Fair).  Hence Vancouverites for Steampunk was born on Facebook, an open group seeking to create a courteous and non-partisan atmosphere, in which people could communicate, discuss things, and promote, create, and encourage local steampunk activities.

I asked people on the funct and defunct local sites (I know, "funct" isn't a word - but it should be), including mine, what they wanted to see, and I got a lot of responses.  Having a book club was a big one, and some discussion happened online.  A couple of months passed, and nothing happened.  I saw the writing on the wall, and realized, if I didn't just pick a date and organize it, it wasn't going to happen.  So I did, contacting the main person whose idea it was, and choosing the book via an online poll, and picking a coffee house with a private room as location.  And voila, the Vancouver Steam Librarium & Consortium was created.

And so I find myself running a craft meet that occurs every 2 months (we've now had 3, and the next one coming up in January), and a book club that seems to go about every 6 to 8 weeks (3rd Consortium in January).  There is still periodic murmuring online about having regular casual get-togethers.  Murmurs that I've heard for months, with no one just saying, "Hey, how about next Wednesday at such-and-such."  So I figure, why not.  Just pick a date, book the room in that handy central coffee house.  So I do.  And the Coffee Klatches are happening now once per month, with our third one set for January.  

And then it occurs to me, around the end of October ... hold on ... I seem to be running a steampunk group.  In fact, I seem to be running the only one holding local activities.  And I seem to be the one organizing the activities.  

Isn't this what I wasn't wanting to do?  I just wanted to see stuff happening.  Not to run it all.  Um.  Oops.

And then comes an opportunity and invitation for the local steampunks to have a table at a local fantasy-oriented craft fair.  So I figure, why not.  It occurred to me, about a week after I made that decision, that this was going to involve far more than just showing up in costume with a smile.  I need ... promotional literature, like a pamphlet.  And a table display.  And a table cloth.  And people with me.  Yeep!  Fortunately, with the excellent assistance of a couple of very good friends in the steampunk community, and with suggestions from a steampunker with experience doing craft fairs (and hence on displaying things), we made it happen.  I lost about a month of my life, as I created and wrote a pamphlet and had various good folks review it for me, made a display from one of those school-science-project boards, and turned a thrift find into a literature display.  An excellent local steampunk and costumer made an awesome fitted table cloth and lent me a skirt for a costumed dress model.  Two friends did two awesome bits of Photoshop work at my request, for the group.  (More on the logistics and creation of the display in a separate post).  Two excellent individuals also dedicated their weekend to join me in working the table.

 

And so, the conclusion of this lengthy post ... is that having vowed otherwise, and originally planning only to provide a bulletin board, and the craft meets I wished to participate in, I seem to have proven that one can accidentally find oneself running a group and organizing the local events!   I am having fun being a local steampunk ambassador, talking to all and sundry who shows the smallest bit of interest, and I'm enjoying seeing new people show up to the various events, and come back!  The active pool of people is still very small, but it is growing, and I confess to hoping that after our weekend at the fair, we will continue to grow.  I am less happy that this has all personally cost me money (the table was free, but printing colour pamphlets was not, nor was making the display), and that this has absorbed so much of my time (both resources would normally have been all mine, and gone toward my own personal costuming and entertainments).  However, I do hope to recoup some costs, over time, if not the time (unless someone manages time travel).  And I have hopes that I can encourage others to host events, and run some things.

So beware ... in the course of pursuing your own fun and entertainment, you may find yourself, without warning, doing exactly what you had previously decided not to do. 

Current Costuming Controversy: Commercial Mainstream Costumes

It never fails to fascinate, the various little controversies that ebb and surge in Steampunk (not the least being the very definition, but we will leave that tricksy little topic for another time).

The most recent controversy to cross my vision was regarding costuming, and it so riled me that it inspired me to write this.  So take warning, a rant follow!  The starting issue was a query on a Facebook Steampunk group, as to how steampunk folks would react, at, say, a steampunk convention, if they were to encounter someone wearing one of the popular-this-Halloween cheap "Steampunk" Halloween outfits.

For those who haven't seen these commercial costumes around, by the way, I will paste a few samples here:

These are from a range of Halloween online sites, such as Halloweenmart, BuyCostumes, PartyCity, Anytime Costumes, etc, and I've seen some bits in stores here and there.

My standpoint is, I would not have a problem encountering someone at a convention or event, wearing a Halloween steampunk costume.  Most likey, I would assume they are new to steampunk, or relatively new, and perhaps didn't have a lot of costuming experience.

Now, while many people seemed to feel similar, there were more disparaging comments than I expected, along the lines of "buying steampunk from a store is an abomination" and accusations about "lazy steampunks" (a phrase that truly made my eyes roll).

You know, I've seen an awful lot of people at conventions and other events, clearly wearing stuff they bought.  So, there are already "lazy steampunks" out there, solving their costuming and accessorizing quandaries by throwing money at it - so this is an unenlightening standpoint.  Though it is of benefit to those who can take advantage by making and selling their craft.  In addition, if you want to look at this from a historical point of view, buying off the rack is very Victorian ... the invention of the sewing machine in the mid-1800's made the Victorian era the first time people had the option to buy ready-made garments at department stores (versus having a garment made specially for you or making it yourself).

Pointing out that there are already "lazy steampunks" out there buying things prompted a defense along the lines that it's okay when one is buying from "reputable" craftsmen.  I'm sure some of these are "reputable" craftsmen.  I've seen them in dealers' rooms and online myself.  Their stuff is awesome.  But this is a vague phrase, and some of the online "reputable" stuff seems to be simply carefully sourced items, bought in bulk (and just as easily made in China as the cheap Halloween outfits), well-combined and sold "ensembles".  (And no, I don't have a problem with that either.)

However, I suspect that what really dictates whether folks buy the commercial Halloween stuff shown above, or the "reputable" goods from steampunk online companies and individual craftspeople, is money.  The commercial stuff in question, here, ranges around the $50 to $80 range for entire outfits.  And when I've priced outfits at the "reputable" steampunk concerns (quotes only because that's the word used to me), the range was from $350 to $600 and it only goes up from there, especially if you start adding accessories and gizmos, and corsets, shoes and boots.

Now, I can tell you, that while I've drooled over many exquisite items I've seen in the big steampunk companies online, and at Etsy, and in vendors rooms (oh gods the drooling I've done!), I can't afford most of it.  Or really, hardly any of it.  I took over a full day at my first steampunk convention to talk myself into a handmade hat that was over $100.  And that hat is now a favourite, well worth every penny spent on it, as it's a high quality, exquisite piece of work.  But I did not buy it lightly, and it took the most of my spending budget for that convention.

I am certainly not going to blame someone else for going the $50 commercial route, if it's available.  Not everyone can sew, or knows how to go thrifting to source all the pieces (just know the pieces you need to start is somewhat of a skill), nor does everyone have the abilities to modify thrifted and found items.  And certainly, not everyone can afford costumes in the $400 and up range.  Especially when you're starting out.

I am just happy when people make an effort at a convention or event, to dress up.  We all have to start somewhere.  I think it's absolutely fine for people to buy an inexpensive Halloween costume for a few cons or events, until they a) decide that they're willing to commit to to steampunk, and then either b) find people willing to help them thrift / make / sew outfits, or c) commit to spending big money.  Depending on where you live geographically, sourcing steampunk stuff or finding folks to help one out, becomes much harder.  What if someone lives in the country, nowhere near a steampunk group, and has to travel just to get to events?  Suddenly all one's money is going to just getting to events and staying there and eating, and there's not much left for shopping for costumes.  And finding people to help sew, hire for sewing, or to help demonstrate how to thrift, isn't always easy, even in the bigger centres.  

As far as I'm concerned, elitism will get everyone nowhere, and it only serves to destroy what steampunk is to me.

If someone is happy showing up in a cheap costume, because that's what they can manage, and afford, that's just fine.  If someone else doesn't like it, then they should kindly and politely offer help looking for thrifted items, and tips on modifying, rather than offer criticism and ostracize.  And if a body isn't willing to help someone with reasonable and affordable alteratives, or to help them make things, then maybe, just maybe, that person should keep their mouth politely shut.  

My steampunk is not about ostracism and being exclusionary.  We should be welcoming, and polite, and helpful, and open.  I would personally far rather see someone show up at any steampunk event wearing a cheap Halloween steampunk costume, than find out someone didn't show up at all because they didn't feel comfortable.  Making any attempt to dress up is better than no attempt at all.  Nor, for that matter, should we scoff at someone who shows up without a costume to an event, because they don't know what to do.  

My steampunk is friendly, and open, and non-exclusive.  I want to help people.  I may not have the money or time to make stuff for other people (I'm appalled at how long it takes me to complete something for myself!), but I can tell you, I'm willing to provide what help I can,  especially when it comes to thrifting, a pet hobby of mine.  

So there's my rant on this subject. 

On a side note, what does bug me about the commercial steampunk Halloween costumes I've mostly seen (in addition than their shoddy workmanship), is that women aren't offered the same level of "class" (if I can call it that) that the men's mass-produced outfits convey ... men get more dignity, women get the slutty outfits, by and large.  Unfortunately, that appears to be de rigeur among all mainstream Halloween costumes, and in fact, much of mass-produced clothing.  (And I don't have a problem with women deciding to go the slutty route - though I prefer my slutty costumes to have a touch of class - I just think women should have more options available, besides slutty.  

Fangirl Squeeing: Scott Westerfeld in Vancouver

So, with the inaugural convocation of the first Vancouver Steam Librarium & Consortium scheduled to discuss Scott Westerfeld's Leviathan, imagine my delight upon discovering that Scott Westerfeld was scheduled to speak in Vancouver on October 11, a bare week after the book club meeting, as part of his tour for the third book in his trilogy, Goliath.

"Meet Scott Westerfeld" was hosted by Kidsbooks, with a ticket price of $5, redeemable against the purchase of one of his books, and there was a signing opportunity after the author spoke.  The crowd was mixed, mostly older kids, young adults, and parents, with a few avid young steampunk all dressed up!

I was most delighted to realize that Scott Westerfeld is an excellent speaker.  (Not all authors are good at getting up and talking to their fans.)  He discussed the Leviathan series at length, and also made references to his previous (non-Steampunk) series, the Uglies.

Along with sharing the information that the Leviathan books were inspired by the "boy's own adventures" that were popular in previous decades, and were written to provide an opportunity for girls to have their own adventures, the author also gave an interesting perspective into the place of artwork in fiction.

Previous to and throughout the Victorian era, adult books often included art, including the works of Jane Austen and Charles Dickens.  This was a common feature which fell out of favour and was delegated to children's books, as photography came to prominence and replaced artwork in newspapers, magazines, and catalogues.  Book artists lost their bread and butter of commercial artwork, and as a result, faded.

Shown above are two illustrations (by Hugh Thomson and C.E. Brock) for Victorian editions of Jane Austen's Pride and Prejudice, as well as one by  George Cattermole for Charles Dickens' Old Curiosity Shop.  Below is the frontispiece for the original printing of Dickens' A Christmas Carol.

By deciding to include illustrations by Keith Thompson in the Leviathan series, Scott Westerfeld brings art back to our literature.  He completely dismisses the modern notion that illustrations belong solely to the sphere of books for young children.  And thank heavens for that.  Anyone who has seen these books has surely admired Keith Thompsons amazing illustrations.  If you want to peek at more of his art, his gallery is here.

Westerfeld discussed the unique relationship between himself and his illustrator, pointing out instances where they have pictured things differently, and times where Keith Thompson has inspired him to write scenes.  In order to ensure continuity when doing scenes on board Leviathan, Thompson apparently has drawn layout diagrams of the ship, which introduced Westerfeld himself to areas of the ship he hadn't even imagined (and then had to set scenes in, just because they were there).

Westerfeld announced at the event that there will be a fourth, supplementary book in addition to the Leviathan trilogy, which will utilize the layout diagrams and other behind-the-scenes artwork by Keith Thompson, to give fans a further view into the workings of the fabricated beasties and clankers of Westerfeld's and Thompson's alternative world.  I keenly anticipate the publication of this 4th supplementary art book, and will be keeping an avid eye out for further information and preordering!  How can one resist an entire book of artwork like this:

Keith Thompson's caricature map of the powers of Westerfeld's alternate 1914 world.

A piece of Clanker propaganda, drawn by Keith Thompson.

In summary, the evening with Scott Westerfeld was highly enjoyable and well worth attending.  My only regret was that I had lent my copy of Leviathan to a friend's son, so did NOT have it with me to get signed.  Though I did buy a copy of Behemoth, which I got signed.  I will await Goliath in trade format, which is easier to read on public transit!

Vancouver Steam Consortium & Librarium: Steampunk Book Club Discusses Leviathan by Scott Westerfeld

Greetings everyone!

Apologies for the distinct lack of activity over the last couple of months - life has prevented me from having the time,  and more critically, the spare brain power to allow me to write here (or tinker as much as I'd like either!).  Alas, I lack minions upon whom I can toss all the menial and uninteresting tasks that periodically occupy more of my time.  (If anyone has spare minions, do let me know).

However, one of the things keeping me occupied has been my attempts at prompting more local steampunk events.  I started up a craft meet on a bimonthly basis, and so far have had one in July, one in September, and one is upcoming in early November. 

I also created and instituted the Vancouver Steam Librarium & Consortium, since a few like-minded keen readers expressed an interest in us having a local steampunk book club.  

I am organizing this through my Facebook group, Vancouverites for Steampunk, and our first meeting was in early October.  The book voted for the first discussion was Leviathan, by Scott Westerfeld.

I faced various challenges starting this up: firstly, I have never attended a book club, let alone run one (though I do have a BA English Major), and secondly, there are not a lot of book club questions out there for steampunk literature (that I could find).  All I found for Leviathan were a few questions on E.M. Rowan's blog.

 

So I had to make up my own.  And, it occurred to me, as our consortium meets and discusses various books, perhaps I should post the questions here, for the benefit of others starting up Steampunk / Dieselpunk book clubs in their area.  So, good folks, I am including here:

Discussion Questions for Scott Westerfeld's Leviathan:

1.  Steampunk as literary genre:  Is Leviathan steampunk?  Or not?  Does it matter?  What makes it fit or fail the steampunk genre.

2.  Did the plot pull you into the book, or did it leave you cold?  Are you anticipating reading the sequels?

3.  Were the characters (Aleksandar, Deryn) sufficiently developed?  Were they engaging?  Realistic?

4. Were the illustrations an enhancement to Leviathan? What are your thoughts on the art?

5.  Was there anything unique or different about the setting that caught your attention?

6.  Any thoughts on the world created in Leviathan?  The Darwinist fabricated beasts versus the Clankers and Monkey-Luddites?

7.  What do you think of the time-period of Leviathan's setting, and of it being based around the reality of the assassination of Franz Ferdinand, the Archduke of Austria, and his wife, Sophie?  Would you have preferred an entirely fabricated world?

8.  Upon reading the cryptic ending of the book, what sort of beast can you conceive of, “no bigger than a top hat”, which could possibly keep an empire out of the War?

9.  What are your thoughts on reading Young Adult fiction as part of a book club? 

10.  Finally, on a scale of 1 to 5, rate Leviathan (1 is I hated it, 5 is I loved it, 3 is meh)

Let me know what you think of the questions.  Alas, for the first meeting of our Steam Librarium, of the four others who attended, only one other person had read the book.  Though, to be fair, when the others said they couldn't come as they hadn't read the book, I encouraged them to come anyway, so we could discuss the club in general, select the next book, etcetera.  And everyone had a good time. 

I will keep everyone posted on how this experiment in running a steampunk bookclub goes.  Our next book, as voted at the Consortium, is Soulless, by Gail Carriger, discussed in mid-November.

Does anyone have any feedback?  Questions?  Suggestions?  Has anyone started up a steampunk bookclub in your area or attended one?

Note: The book and glasses image which I am using for the Vancouver Steam Librarium & Consortium is borrowed from an archive post from victorianamagazine.com at http://www.victorianamagazine.com/archives/6598 , until I manage to create an image of my own.

The Innocent's Progress: A Foray into Steampunk Erotica

Greetings good folks.  Before we venture any further, I must point out that the subject matter of today's salon is a review of adult-oriented, hence, reader discretion is advised, and you may wish to move along to another post.  I shall give you a moment while I review my notes.

And now we can commence.  Feel free to have a cup of tea, or a sniff of something stronger, if you wish.  My automated valet can bring you something.  

My voyage through steampunk literature has recently brought me to The Innocent's Progress, by Peter Tupper, published in electronic format.  This is a collection of 6 short stories set in an alternate world of the author's devising.  This is no common set of erotic tales with minimal plot and excesses of sexual content, nor is it overdone steampunk riddled with gears and parasols; this is intellectual fiction, subtly written and focusing more on the people and the stories.  Several characters are interwoven through the tales, slowly drawing back the curtains around this Victorian-flavoured world.

The best part of this work, for me, is the slow reveal of this unique world, story by story.  Readers are first introduced to the Commedia, a form of theatre in which archetypes are performed on the stage, and privately performed offstage, for the pleasure of the audience.  One quickly realizes that dichomoties are rife in this world, as in Victorian England.  Performance and sexuality are blended and blurred in the Half-world of the actors, yet it is clearly unacceptable for them to stray, in any way, from the limited range of traditional archetypes.  Sexuality is quite acceptible within the Commedia, yet the Decency Board strives to remove the threat of pornography from society, to protect women and the lower classes. There are allusions to historical figures and works throughout the tales, which enhances the reading experience.  Peter Tupper even thoughtfully includes an Afterword, in which he gives background information and historical references for each tale.

My favourite story is "Delicate Work", where the reader is taken deep into the Honeycomb, an "Institution for the Reclamation of Wayward Women".  The Honeycomb is the Victorian workhouse writ very large and very dark.  In true Victorian fashion, this is where wayward women (those who do not live within the rigid and narrow boundaries defined by society) are "helped" by permanently hiding them out of sight.  The Honeycomb is seen through the eyes of Tangwen, one of the Tinker Girl inmates employed in producing technology for the world outside.  "Delicate Work" shows us the dirty, dystopian, dark side, which is all too often neglected in much of steampunk fiction.

There is one tale in the collection, "The Impurity", which differs from the others.  "The Impurity" is an imaginative retelling of the Dr. Jekyll / Mr. Hyde story, into which the author breathes new life.  I don't want to reveal the details here, but suffice to say, it is refreshing.

I recommend the reader look beyond the cover of Innnocent's Progress.  Peter Tupper takes the reader into a familiar yet foreign world, which is richly textured and multifaceted - part Victorian, part steampunk, part intellectual foray, part erotica.  If you wish to acquire this book yourself, the various forms and manner of procuring it can be found at Peter Tupper's site for Innocent's Progress.

Summer Hiatus Is at an End

To my horror I have realized that a month and a half have passed since my last entry.  This is what comes of it being summer, and life impeding the amount of time I can commit to online!  However, more posts will start shortly.  

One of the contributing factors to me lacking time to post (in addition to spending time outside in the sunshine, and getting to have an actual week of vacation in Halifax), is that I have started up a couple of local steampunk events, which have taken some effort in planning and organizing.

Along with getting a Facebook-based steampunk-event-bulletin-board group up and running, to share and spread word of steampunk and related events to locals (Vancouverites for Steampunk), I also have started up a Steampunk Craft Meetup (2 events so far, in July and early September) which I'm hoping will run regularly) and commenced a Steampunk Book Club (Vancouver Steam Librarium and Consortium - first meet booked for October).

Collage of creations crafted by various attendees at the First Steampunk Craft Meet

For local Vancouverites interested, I shall embed the Vancouverites for Steampunk Google calendar here:  

And, of course, I have a busy full-time job.  So it's been busy.  However, I'll be getting back into the swing of regular posts shortly!

Cheers all,

The Steam Wench